Born in 1938 and brought up for a short while in Osaka, Japan, Daido Moriyama spent much of his childhood on the move, due to his father's profession as a travelling insurance salesman. Moriyama studied graphic design and, in the 1960s, moved to Tokyo to work with the VIVO group of photographers, which included Eikoh Hosoe and Shomei Tomatsu. Accompanied by a surge in Japanese ...(展开全部)

A forty-year retrospective of the work of one of the leading figures in Japanese photography.Born outside of Osaka in 1938, Daido Moriyama witnessed the dramatic changes that swept over Japan in the decades following World War II. The visual and existential turmoil brought on by this transformation was to become one of the core subjects in his work. His gritty photographs of Ja...(展开全部)

"Daido Moriyama" is one of two new books this season in Thames & Hudsons acclaimed "Photofile" series. Each book brings together the best work of the worlds greatest photographers in an attractive format and at an easily affordable price. Hailed by "The Times" as finely produced, the books are printed to the highest standards. Each one contains some sixty full-page reproduction...(展开全部)

Moriyama once said, `my work is endless, as long as the world exists I want to take snapshots'. Here a collection of full page black and white photographs presented under the theme Tokyo have been brought together, a number of which have never previously been published.

Daido Moriyama, who was born near Osaka in 1938, is one of the most influential representatives of contemporary Japanese photography. His unmistakable style, influenced by the work of Weegee, William Klein and Andy Warhol, has been evolving since the 1970s. His images, often made with a small, hand-held camera, draw viewers in with their diffuse, suggestive layers of gray. Mori...(展开全部)

A broad monograph devoted to one of the preeminent names in contemporary Japanese photography. Moriyama's photography is provocative, both for the form it takes (Moriyama's photographs may be dirty, blurry, overexposed or scratched) and for its content. The viewer's experience of the photo--whether it captures a place, a person, a situation or an atmosphere--is the central thru...(展开全部)

A broad monograph devoted to one of the preeminent names in contemporary Japanese photography. Moriyama's photography is provocative, both for the form it takes (Moriyama's photographs may be dirty, blurry, overexposed or scratched) and for its content. The viewer's experience of the photo--whether it captures a place, a person, a situation or an atmosphere--is the central thru...(展开全部)

Synopsis It was 1956 and he was in Port Said. About these two facts he was reasonably certain but a murderous attack left him certain about little else – maybe just the conviction that the British usually did the right thing and that to be a crook a man must assume the society he lived in was honest.

Synopsis It was 1956 and he was in Port Said. About these two facts he was reasonably certain but a murderous attack left him certain about little else – maybe just the conviction that the British usually did the right thing and that to be a crook a man must assume the society he lived in was honest.